MultiMedia Works
Electronic
CD-ROMs




Ordering Note:
Morton Subotnick sells products through Kagi.com. To order any of the CD's LP's or Books below, please enter the number of items and press the "Purchase Selected Quantities Now" at the bottom. You will then be transferred to Kagi.com for shipping and billing information.





1. Silver Apples of the Moon/The Wild Bull (CD)
These two works, created in the 1966 and 1967, have become classics in the electronic music literature.  Silver Apples was the first electronic work to be commissioned specifically for the record medium.  This release on CD is closer to the original analog tape than the original vinyl release.

Silver Apples of the Moon   

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The Wild Bull

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2. The Key to Songs/Return (CD)
The Key to Songs is for 2 pianos, mallet percussion , viola and cello with midi electronics.  It has been performed worldwide as a concert piece and used as a musical score by major ballet companies. RETURN was commissioned  to be played in Planetariums for the occassion of the return of Halley's Comet.

The Key To Songs             

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Return

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3. And the Butterflies Begin to Sing/All My Hummingbirds Have Alibis (CD)
These two works are called 'Imaginary Ballets' and are based on Max Ernst collage books.  They are for instrumetal ensembles and interactive electronics.  the performances are amazing.

and the Butterflies Begin to Sing             

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All My Hummingbirds Have Alibis

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4. Touch/Jacob's Room (CD)
Touch was commissioned by Columbia Records for the introduction of their first 'quad' product.  The quad playback system was discontinued and Touch was re-released as a stereo record. It became an important part of the electronic music literature.  Jacob's Room is the original concert version of his chamber opera by the same name.  It is still performed widely throughout the world and features the voice of Joan La Barbara.

Touch                       

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Jacob's Room

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5. Volume 1: Electronic Works (CD)
Mode's 2001 hi-definition stereo release of three major works taken from the original master tapes: Touch [1969], created for the first commercially available quadraphonic record player; A Sky of Cloudless Sulphur [1978], including its previously unreleased first movement; and Gesture's: It Begins with Colors [1999-2001], designed for the surround-sound medium.

Touch                

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A Sky of Cloudless Sulphur     

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Gestures

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6. Volume 2: Electronic Works (DVD)
A new release DVD on Mode of two works taken from the original master tapes: Sidewinder [1971], like Touch [1969], created for the first commercially available quadraphonic record player, is heard for the first time in 4.1 surround sound with a new liquid light show by Tony Martin; Until Spring [1975], appears for the first time in 5.1 surround sound. Sidewinder. Also included are over 90 minutes of interviews with Morton Subotnick and Tony Martin and biographical "right arm" stories by Morton Subotnick.

Sidewinder (Video)             

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7. Volume 2: Electronic Works (CD)
Mode's 2004 hi-definition stereo release of two major works taken from the original master tapes: Sidewinder [1971], like Touch [1969], was created for the first commercially available quadraphonic record player; Until Spring [1975], designed for the surround-sound medium.

Sidewinder             

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Until Spring

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INVENTORY BEING UPDATED.

8. Return (LP) This is the original release of the work. See the descrption  above.

Return

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CURRENTLY SOLD OUT.

8. Volume 1: Electronic Works (DVD)
A DVD released in 2001 on Mode of three major works taken from the original master tapes: Touch [1969], created for the first commercially available quadraphonic record player, is heard for the first time in 4 discreet channels; A Sky of Cloudless Sulphur [1978], commissioned by JB Lansing speaker company, appears for the first time in multi-channel sound, including its previously unreleased first movement; and Gesture's: It Begins with Colors [1999-2001], designed for the surround-sound medium. Also included is an interactive DVD-ROM, which allows you to reinterpret Gestures by using the mouse as a gesturing tool, and over 90 minutes of interviews with artists involved with the Gestures project.










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